I tackled the model by making it in the construction sequence it would be built in. The steel structural columns and I beams were put in first with the footing system disregarded and not considered (bottom level designed by Joe). A bondek flooring system was then modeled, followed by the stairwells and paths, walls, roofing system and facade.
After struggling with the model, I enjoyed taking perspective shots within the atrium space and bringing the images to life using Photoshop. The first image I took captures the feel of the entrance space of the Refine area. With an recess into the building, I wanted to show the light being drawn into the space both directly and that reflected of the perforated metal panels that are used on the facade system. The image also shows the dramatic play of light created by the walls and structure. The second image, facing the other direction, shows the open nature of the atrium space in the afternoon, with the large amount of diffuse light being drawin in through the roof and facade. It shows the soft lighting that is appreciated and enjoyed by those moving through the space. The night perspective was the most difficult in trying to capture the feel of the space. It does show the reflective nature of the flooring from the stair landing and shows the stark contrast between surfaces and provides a buoyant feel within the vertical circulation space.
The model itself was challenging but rewarding once complete and, as with the other projects, I have learnt from this that certain areas of work are more important than others. For example, a large amount of time was spent on the model and for presentation purposes, such detail could not be appreciated. Resolving the construction of this area of the building was extremely rewarding, and the project improved my presentation skills and has given me the confidence to quickly model my concepts in 3D digitally, something I struggled with in earlier projects.
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